Concept Of Positve Psychology On The Movie Pursit Of Happiness

Client s NameDateProfessor s NameCourseIntroductionHistoric on the wholey , the Statesns have flocked to theaters to find happiness apprehend and superstares in film . Film producers were enormously successful at picture in audiences and shake audience . In recent historic period , however nearly movies have been to a greater extent depressing than inspiring . Their quality has been mediocre at crush . Nevertheless , a few movies of this decade have down in the m come onh away from averageness and provided America with cinematic mavines The bump intoking of enjoyment is one of these . therefore , it is one of the few movies of this decade that has the potence to remain relevant to viewers in decades to comeThe Pursuit of Happyness differs from new(prenominal) movies , partially because it subscribes to well-nigh of th e myths that the old , classical films of prior decades followed . In addition to this , the Pursuit of Happyness portrays sadness and frustration , with away scaring or depressing its audience . moreover , it is funny , with let push through being frivolous . Mean magic spell it is nice , while at the same time realistic . surpass of all , it is inspiring . It is the sort of film Americans can verbalism to for politesse and hope that is sadly lacking in most of today s filmsThe MythsAccording to Sociologist Herbert J . Gans , until the 1950s , movies were the main staple of America s amusement diet (Gans , 1964 br.327 . At that time , says Gans , Hollywood films followed a unique(predicate) formula , which consisted of four myths . The first is what Gans calls moral wedge heelism (Gans , 1964 ,.327 . which involves a hero striving to bring approximately nifty or loving justice in a lawless arrive . The second , which Gans labels y placehfulness , is the myth t hat young people had to resign past an err! oneous notion that their elders were wrong to bring to the highest degree their goals (Gans , 1964 ,.327 .

The third Gans labels romance , which suggests that the best reward a hero can achieve is the love of someone attractive and lovable . The fourth and perhaps the most powerful , Gans labels the Justification of affable mobility (Gans , 1964 ,.327 . According to Gans , this is the myth that people can pursue wealth without being corrupted by it (Gans , 1964 ,.327Departure from the formulaThe films of the 90 s depart from these myths . Films craving American Beauty have no real hero . No man striving for a social advanced . Instead the main character spends most of his time hear to seduce his high-school-aged daughter s friend . Love is not a reward worth trip upking for anyone . The things that American Beauty s characters see as beautiful are a bag in the street , a dead man and sex . Children do not gain a better respect for their elders . and so , at the end of the movie , the adults are painted in a much worse light than the children One turns out to be a gay Nazi , another turns out to be having an affair that is both silly and revolting . The clasp nearly becomes a pedophile Social mobility is not a goal for...If you want to get a full essay, connection it on our website: OrderCustomPaper.com

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